I ran a workshop with help from Gustáv and Alun on the Thursday morning, using some interview footage from one of the filming teams. It was a complete experiment, as on other projects we've tended to use live edits from geniuses like Rick Goldsmith of Catcher Media or Jani Lajos from Hungary who can take instruction from a group of people and bring that into being in real time. It's analogous to a specialist editing working with a director, with the group taking the role of the director.
It's a joy to watch, and I was a little nervous that taking a group step by step through logging footage, selecting clips and discussing the nuances of meaning that come from juxtaposition, rhythm and so on would wear thin. Instead the feedback was very positive and the group gained energy rather than dissipated it. My feeling is that over long periods groups would get quite skilful at working together and that the facilitators job would be to keep an eye on who was participating and who was being left out.
Afterwards, as with many of the techniques we made an analysis of what its for, the resources required and notes of ideas that came up while reflecting on it.
Ladanyi János demonstrating editing with a group giving instructions |
Afterwards, as with many of the techniques we made an analysis of what its for, the resources required and notes of ideas that came up while reflecting on it.
Tool Title: Paper Edit
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Description: A paper edit is used within a participatory video to
include a group in making editorial decisions. It takes place away from the actual editing
process and generates a set of decisions that an editor can then follow. It can introduce a group to how editing
works and gives space for negotiation and discussion, mediated through
watching footage together, logging it in terms of content, visuals and audio,
and then pulling out use-able clips for an edit. The output is a sequence of clips with in
and out points marked and some idea of content – enough for a specialist
editor to put together a rough edit to return to the group for approval.
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Affordances
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Requirements
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Notes
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Creative experience, no surprises at final cut
Build legitimacy for outputs
Allows people without editing knowledge to take part in editing
Allows you to share ideas and inform the edit much more effectively.
Can be done with large group.
Aggregation of opinion.
Identifies +addresses differences
Gives an opportunity for a democratic editing process
Hones down what your message is
General discussion
Allows for building relationships.
General interest
Learn about film making – taking part in an edit is a very good way
to improve scripting and creativity, and logging is an excellent way to
enhance technical filming skills.
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Can be done with a large group
Needs a skilled facilitator
Skilled editor and good understanding of editing
Interested people
Group attention
Requires co-operation and consensus
Shared goal/objective for film
People who really respect participatory philosophy
Creativity
Experience
Practice
Camera and projector
Can be comparatively low tech onsite
Takes time
Patience
Could be time consuming if there is a lot of material
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Could be frustrating
A drawback could be a lack of anonymity as you can’t hide your face
from your opinion
Might be difficult to do it in an emancipatory way with communities
of existing hierarchy.
Respectful of participants opinions and preferences.
Vanity or self-perception could potentially be a barrier to
expression of balanced opinions from all participants.
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Resources/References: Insight
share Rights-based PV toolkit
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Ladanyi János demonstrating editing with the group :)
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