I ran a workshop with help from Gustáv and Alun on the Thursday morning, using some interview footage from one of the filming teams.  It was a complete experiment, as on other projects we've tended to use live edits from geniuses like Rick Goldsmith of Catcher Media or Jani Lajos from Hungary who can take instruction from a group of people and bring that into being in real time.  It's analogous to a specialist editing working with a director, with the group taking the role of the director.
It's a joy to watch, and I was a little nervous that taking a group step by step through logging footage, selecting clips and discussing the nuances of meaning that come from juxtaposition, rhythm and so on would wear thin. Instead the feedback was very positive and the group gained energy rather than dissipated it.  My feeling is that over long periods groups would get quite skilful at working together and that the facilitators job would be to keep an eye on who was participating and who was being left out.
Afterwards, as with many of the techniques we made an analysis of what its for, the resources required and notes of ideas that came up while reflecting on it.
 
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| Ladanyi János demonstrating editing with a group giving instructions | 
Afterwards, as with many of the techniques we made an analysis of what its for, the resources required and notes of ideas that came up while reflecting on it.
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Tool Title: Paper Edit | ||
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Description: A paper edit is used within a participatory video to
  include a group in making editorial decisions.  It takes place away from the actual editing
  process and generates a set of decisions that an editor can then follow.  It can introduce a group to how editing
  works and gives space for negotiation and discussion, mediated through
  watching footage together, logging it in terms of content, visuals and audio,
  and then pulling out use-able clips for an edit.  The output is a sequence of clips with in
  and out points marked and some idea of content – enough for a specialist
  editor to put together a rough edit to return to the group for approval.   | ||
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Affordances | 
Requirements | 
Notes | 
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Creative experience, no surprises at final cut 
Build legitimacy for outputs 
Allows people without editing knowledge to take part in editing 
Allows you to share ideas and inform the edit much more effectively. 
Can be done with large group. 
Aggregation of opinion. 
Identifies +addresses differences 
Gives an opportunity for a democratic editing process 
Hones down what your message is 
General discussion 
Allows for building relationships. 
General interest 
Learn about film making – taking part in an edit is a very good way
  to improve scripting and creativity, and logging is an excellent way to
  enhance technical filming skills. | 
Can be done with a large group 
Needs a skilled facilitator 
Skilled editor and good understanding of editing 
Interested people 
Group attention 
Requires co-operation and consensus 
Shared goal/objective for film 
People who really respect participatory philosophy 
Creativity  
Experience 
Practice 
Camera and projector 
Can be comparatively low tech onsite 
Takes time 
Patience 
Could be time consuming if there is a lot of material | 
Could be frustrating 
A drawback could be a lack of anonymity as you can’t hide your face
  from your opinion 
Might be difficult to do it in an emancipatory way with communities
  of existing hierarchy. 
Respectful of participants opinions and preferences. 
Vanity or self-perception could potentially be a barrier to
  expression of balanced opinions from all participants. | 
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Resources/References: Insight
  share Rights-based PV toolkit | ||
 
Ladanyi János demonstrating editing with the group :)
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